Then I guess we're all in agreement, as long as Yves isn't claiming  
that the curve can transcend the nature of the gum emulsion, but only  
that a curve can urge a particular emulsion to its full potential,  
whatever that is.  Before, it sounded like he was claiming everything  
for the curve, that simply by adjusting the curve, I would be able to  
make that too-contrasty (because too-pigmented or not dichromated  
enough or perhaps both) back-exposed emulsion print a tonal scale  
like carbon. If he's not claiming that, then like I say, we're  
probably all in agreement.
Katharine
On Apr 27, 2006, at 7:14 PM, Christina Z. Anderson wrote:
> I'm 100% with you on this one, Yves.
> Chris
>
> I say, you can still play with the curve of the negative just like
>
>> any other variable, that's all I'm saying nothing more nothing less.
>> Regards
>> Yves
>>
>
>
>>> >Katharine  Thayer said: Well yeah, somewhat, but the point is  
>>> that a
>>> >curve isn't going to help if the other variables are off,  
>>> because tonal
>>> >scale in gum, at least in my experience, is more a function of the
>>> >emulsiion than of the negative.
>>>
>>> Judy Seigel said:  My experience also... but I think development  
>>> is a
>>> real variable, too...
>>>
>
>
>
Received on Fri Apr 28 07:40:33 2006
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